Tombs of a man named Li Cang and his wife
and son, who lived in the State of Changsha, Western Han Dynasty
(206BC-8AD)
Location: Changsha, Hunan
Province
Period: earlier period of 2nd century
BC
Excavated from 1972 to 1974
Significance: It has offered important
materials for the study of the burial systems, the developments of handicraft
and technology in the early Han Dynasty, as well as the history, culture and
social life of the State of Changsha.
Introduction
Located in the eastern suburbs of Chansha,
Hunan Province, the Mawangdui Han Dynasty Tombs were uncovered in 1972. The
three tombs, which date back some 2,100 years to the Western Han Dynasty
(206BC-25AD), contained the remains of the Marquis Dai, his wife and son, and
their most prized possessions.
|
Colored painting on silk: banners and streamers used for
funeral (length 2.05 m) |
Among the more than 3,000 relics unearthed,
were exquisite lacquer-ware, musical instruments, silk paintings, bamboo slips,
seals, pottery and Chinese medicinal herbs, etc. Of all the remains, the most
astonishing was the corpse of Marquise Xin Zhui, the wife of the Marquis of Dai,
which was extremely well preserved and in remarkable condition, from skin to
inner organs. Most of the artifacts including the corpses can now be found in
Hunan Provincial Museum.
Cultural Heritage
Some 2,100 years ago, Xin Zhui enjoyed every
luxury that the Han Dynasty had to offer. Xin Zhui lived her life surrounded by
lacquer boxes, ornate pottery, musical instruments and an astonishing array of
fine textiles. Her tomb, discovered in 1971 in the Changsha suburb of Mawangdui, proved to be a
fantastic reliquary of the Western Han artifacts.
Buried with Xin Zhui were all the elegant
trappings of her noble existence, perfectly preserved in a timber-lined tomb the
size of a swimming pool. All these riches were buried with Xin Zhui to make her
stay in the afterlife a more pleasant one. But more astonishing still was the
body of the Marquise herself, which was found fully preserved and in remarkable
condition, from skin to inner organs.
She may not have had a terra cotta army to
escort her into the afterlife, but Xin Zhui certainly would have been well
attended once there: Carved wooden figurines, painted and clothed in silk
garments, include butlers, handmaidens, and an entire troupe of musicians to
keep Xin Zhui entertained. A regiment of wooden soldiers stands on guard to
protect her possessions. Actual musical instruments were included as well: A set
of twelve pitch pipes to tune Heaven's chamber ensemble, bamboo flutes of
various sizes, a 32-pipe mouth organ, and most impressive, a large 25-stringed
Zheng, or zither.