Subscribe to free Email Newsletter

 
   
 
 

Guan Liang’s paintings: An interesting way to learn famous Chinese stories

2014-09-18 16:46:58

(Chinaculture.org) By Yu Xiaoou

 

Havoc in Heaven Artist: Guan Liang [Photo/ english.cguardian.com]

People are always questioning Guan Liang’s paintings: they look just like children’s work, why are they so valuable? Even some great writers applauded Guan Liang’s paintings, and some famous painters exchanged their works with him. The answer comes from the question itself. Guan Liang’s painting is valuable because it’s just like children’s work, with the innocent heart of an art addict.

Guan Liang (1900–1986), courtesy name Lianggong, was an important representative of the first generation of oil painters in China.

Guan Liang was born in Panyu, Guangdong province. In 1917 he went to Tokyo to study oil painting and violin, just for fun at the beginning. Guan Liang was fun-loving since he was a child. He adored Peking Opera and visited theaters when he was very young. It laid the foundation for his unique portrayal of Peking Opera figures.

After returning to China in 1922, he taught at the Shanghai Fine Arts School and the National Academy of Art in Hangzhou. In 1927 he joined the Northern Expedition against the northern warlords, and was in charge of arts and publicity for the Expedition army.

Although Guan began his career as an oil painter, he later focused on traditional Chinese ink wash painting featuring characters from Peking Operas. He is considered the first artist to introduce Western painting techniques to traditional ink wash painting and is known for his unique portrayal of Peking Opera figures. His representative works include Havoc in Heaven and Farewell to my Concubine, both scenes from traditional Peking Operas.

Characters in Guan’s paintings were based on Peking Operas, but are not stictly anatomical or follow the rules of perspective. His painting style is lifelike but unadorned and childish, to catch every nuance of expression in the characters.

Let’s have a look on Guan’s portrayals of Peking Opera figures, and the stories behind the paintings:

1. Havoc in Heaven

The story of Havoc in Heaven is based on the earliest chapters of the Ming Dynasty novel Journey to the West. The main character is Sun Wukong, also known as the Monkey King, who rebels against the Jade Emperor of heaven.

We Recommend:

Birds in four seasons - The collection of Chinese flower-and-bird paintings The British Museum to hold Ming Dynasty exhibition Guidelines for school entrance in ancient China
1 2 3 4 5



8.03K

 
  Gallery  
     
 

Top 10 must-see attractions in and around Xi'an

 

Guan Liang’s paintings: An interesting way to learn famous Chinese stories

 

Sand sculptures take shape in East China

 

Birds in four seasons —— The collection of Chinese flower-and-bird paintings

 

Silk Road International Arts Festival opens in Xi’an

 

3D murals attract audiences in Jiangsu

 
 

2014 Chinese Artworks Industry Expo Fair to open in Songzhuang in Sept.

 

Ukraine contemporary oil paintings visit Suzhou

 

French artists experience Hui-style folk culture

 

Sinologists experience the unique Chinese landscape

 

China's Old Summer Palace goes to Paris

 

Gospel twins in tune with Beijing

 
 

'Moonlight City' begins reconstruction after fire

 

Giant pandas in Singapore celebrate second anniversary

 

New Zealand photographer joins in the 14th China Pingyao Int’l Photography Festival

 

Anshun Opera well preserved in Guizhou

 

Tunisia Culture Week opens in Beijing

 

In photos: Finding serenity in Zen Buddhism